5 AUGUST 2010
and the awards go to...
Best of the Fest:
ANGRY MAN, Anita Killi
Best British Film:
A FAMILY PORTRAIT, Joseph Pierce
> more results
28 JULY 2010
More guests
arriving at LIAF... yeehah!
> more info
28 JULY 2010
ANIMATE TV PANEL CONFIRMED
We've got a sensational line-up for the 28th August session... Clare
Kitson, Chris Shepherd, Osbert Parker and Gary Thomas.
> more info
28 JULY 2010
LIAF10 TRAILER
Shaun and Kim just posted me a link to their trailer for LIAF -
wonderful and totally in keeping with this years Direct Animation
theme.
> check it out below.
There's only one way to
get animated... follow us!
...get ready to strap yourselves in for a ten day
blast of animation from around the world in the 7th edition of the
London International Animation Festival! This will be your only
opportunity in the UK to see such a comprehensive line-up of current
animated short films in competition and specially curated programmes
that highlight recent productions and absolute gems from the archive.
LIAF aims to challenge and inspire audiences with thematic, visual
and technical diversity from award winners, outstanding industry
veterans and those wonderful newcomers who are exploring their talent
on screen for the very first time.
LIAF10's trailer by Mew Lab (Kim Noce & Shaun
Clark)
Beautifully crafted by Kim & Shaun of Mew
Lab to perfectly compliment this year's technique of focus: direct
to film/scratch animation.
Watch the trailer for 'The Illusionist',
Sylvain Chomet's wonderful animated film.
The Illusionist is one of a dying breed of stage
entertainers. With emerging rock stars stealing his thunder, he
is forced to accept increasingly obscure assignments in fringe theatres,
at garden parties and in bars and cafes. However, while performing
in a village pub off the west coast of Scotland, he encounters Alice,
an innocent young girl, who will change his life forever. Watching
his performance to the excited and amazed villagers who are celebrating
the arrival of electricity to their remote island, Alice becomes
awestruck by our hero and believes his tricks are real magic. Following
him to Edinburgh, she keeps his home while he goes to work in a
small local theatre. Enchanted by her enthusiasm for his act, he
rewards her with increasingly lavish gifts he has ‘conjured’
into existence. Desperate not to disappoint her, he cannot bring
himself to reveal that magic does not exist and that buying these
gifts is driving him to ruin. But as Alice comes of age, she finds
love and moves on. The Illusionist no longer has to pretend and,
untangled from his own web of deceit, resumes his life as a travelling
entertainer, a much wiser man.